Heigan and the safety dance
Posted: Wed Jan 28, 2009 11:31 am
I did this fight a handful of times and observed a simple way to see where to stand.
What i did was to always look towards the next safe zone (this means repositioning the camera pretty often). When the ground erupts, assuming you're standing in a safe zone, you'll see a wall of green coming out of the cracks. The safe zone that you're currently standing in is very well defined at that point. The key to getting to the next safe zone is to go and stand where that 'wall' was, and not to cross it. In other words, the safe zones overlap! It is not necessary to run completely out of zone 1 to be in zone 2.
I experimented using this method on my last run through it and i was fine. Previously I'd sometimes get hit because I ran too.
Another neat side effect of this observation is that you hardly have to move between 3->4->3 and 2->1->2. basically, if you stand on the border between 3 and 4 and you'll be safe from 3 and 4, and you can stand on the border of 2 and 1 to be safe from both. This has allowed me to fire off some random shots (non-instant). Probably only enough for a half second cast, and I would not recommend attempting this unless you are very confortable with the dance.
What i did was to always look towards the next safe zone (this means repositioning the camera pretty often). When the ground erupts, assuming you're standing in a safe zone, you'll see a wall of green coming out of the cracks. The safe zone that you're currently standing in is very well defined at that point. The key to getting to the next safe zone is to go and stand where that 'wall' was, and not to cross it. In other words, the safe zones overlap! It is not necessary to run completely out of zone 1 to be in zone 2.
I experimented using this method on my last run through it and i was fine. Previously I'd sometimes get hit because I ran too.
Another neat side effect of this observation is that you hardly have to move between 3->4->3 and 2->1->2. basically, if you stand on the border between 3 and 4 and you'll be safe from 3 and 4, and you can stand on the border of 2 and 1 to be safe from both. This has allowed me to fire off some random shots (non-instant). Probably only enough for a half second cast, and I would not recommend attempting this unless you are very confortable with the dance.